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In Side & Aura
Choreographer & video artist
STÉPHANE GLADYSZEWSKI

 

In Side : 15 min

Dancers
Jason Diggins
Élizabeth Emberly

Musicals excerpts from the piece
«A machine to build a machine» by Mat Cober and from the album "Consumed" by Plastikman.


Aura : 40 min

Dancers-performers (virtual or live)
Katie Ward
Emmanuel Proulx
Élizabeth Emberly
Stéphane Gladyszewski

Computer programming
Étienne Grenier

Sound Design
Nicolas Basque

Lighting Design
Jean Jauvin

Video Performers
Nicolas Basque
Allison Blakley
Stéfanie Fromentin
Dominique Gladyszewski
Nadine Surrez

TANGENTE
Wordless : 1h approx.
with intermission

25 26 27 28 29 30 31 1 2 3 4 5 6 7 8

Completely sold out!

 
In association with



SKIN DEEP
A floating body, a painted body, the body as droplet and multiple bodies, the body is both the raw material and the stuff of dreams for the recalcitrant artist Stéphane Gladyszewski. A conjugation of visual art and performance, In Side & Aura are "experiential" and sensual works that establish a taut and vibrant dialogue between the body, matter and light. Consisting of hybrid objects that combine video projection with performance, an acoustic environment and an architecture of light within an animated stage design installation, the first two parts of this trilogy present new strategies of video imagery, turning the dancer into a bodyas- screen and blurring the boundaries between the real presence and the projected image. At the diaphanous frontier between the perceptible and the imperceptible, between a living presence and its virtual double, at the incessantly bulldozed boundaries of perception lies a new language of the senses. Welcome to the fourth dimension.
 
 
Consisting of hybrid objects that combine video projection with performance, an acoustic environment and an architecture of light within an animated stage design installation, the first two parts of this trilogy present new strategies of video imagery, turning the dancer into a bodyas- screen and blurring the boundaries between the real presence and the projected image. At the diaphanous frontier between the perceptible and the imperceptible, between a living presence and its virtual double, at the incessantly bulldozed boundaries of perception lies a new language of the senses. Welcome to the fourth dimension.