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June 1, 2, 3, 4
American Can Co.
English and French : 1h30 |
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Theatre of Memory
To enter the family home and behold once again the pastthe old furniture, the old records, the whole place laden with memories and emotions. Coming back home ? No, for there is no going back. Time lost can never be recovered, and nostalgia is not what it used to be. It is not so much the past that we miss as the present that eludes us, for we ourselves are not all that we could be. Coming Home to Roost is a journey back, an exploration of the marks and wounds on our bodies that have been etched by time. This fluid collage is a very moving, three-dimensional tableau. Coming Home to Roost is the story of orphans, guardians of memory in a place filled with indelible traces, who attempt to come to terms with the present.
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© Rolline Laporte
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Lisa Rae Vineberg has already written and directed a couple of dozen pieces, what she calls living collages on stage [...] she sold out all of them through nothing but you guessed it word of mouth. Mirror
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| CONCEPT AND DIRECTION |
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Lisa Rae Vineberg |
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| CREATORS-PERFORMERS |
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Natalie Claude
Paul-Patrick Charbonneau
Lisa Rae Vineberg
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| SHORT TEXTS
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Lisa Rae Vineberg
Paul Patrick Charbonneau
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| SET, COSTUME AND LIGHTING DESIGN
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Ana Cappelluto |
| SOUND DESIGN
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Howard Bilerman |
| ORIGINAL MUSIC
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Beckie Foon |
| FILM |
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Lisa Rae Vineberg
Stephen OConnell
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| TECHNICAL DIRECTOR
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Vincent Santes Gonzalez
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| PRODUCTION ASSISTANT
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Vincent Absi |
| FINAL WEEK DRAMA COACH
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Stephen OConnell
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| GRAPHIC DESIGNER
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Geoffrey Weeks
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| CONTRACT MANAGER |
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Helene Turp
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Lisa Rae Vineberg
Playwright, director, actress and artistic director Lisa Rae Vineberg has enjoyed an extremely prolific career over the past nine years. In addition to working in some thirty productions she has also pursued her own personal projects, and her work has proved to be quite popular. Many of her plays have been sold-out on word-of-mouth alone at the Monument National, Espace Tangente and Cinquième salle theatres, including My Business is Words, The Womans Project, The Wrecking Ball and Telegraph From Departure Bay (la Création de la preuve). She is also co-founder of the Actors/Directors Club. The work of Lisa Rae Vineberg enjoys the esteem of her peers and the support of both the French and English artistic communities in Montreal.
Mochin de Gadlut Theatre Projects (pronounced Moh-Kheen Deu Gahd-loot), directed by Lisa Rae Vineberg, presents a new work every two years. This Montreal English-language company favours a theatrical approach that combines documentary and fiction whereby theatre becomes a voice that, in bearing witness to everyday realities, reaches its full poetic, social and psychological dimensions. Privileged witnesses, the spectators are plunged into their own private perceptions.
Nouvelles Scènes
In 1997, the Festival de théâtre des Amériques created the Nouvelle Scène series, whose mission four editions later remains the same to promote young artists in order to actively contribute to the emergence of new voices in the theatre by providing them with conditions that favour their discovery and advancement. In bringing together this year a generation of multidisciplinary artists, Nouvelles Scènes 2003 reasserts the dynamism and plurality of contemporary theatre in Quebec. In choosing unusual performance sites and forms that include performance art, theatrical walkabouts and staged installations, these artists challenge the norms of theatrical representation and the role of the spectator, questioning the social and political role of art and its place in the community.
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