FESTIVAL
TRANSAMÉRIQUES

DANCE + THEATRE
MAY 21 - JUNE 06 2015
9TH EDITION, MONTRÉAL

2014 

 

8TH EDITION

 

FESTIVAL
TRANSAMÉRIQUES

DANCE + THEATRE
MAY 21 - JUNE 05 2015

9th
EDITION
MONTRÉAL

2014 mobile haut EN

Performance + Installation

x-fois gens chaise

Angie Hiesl Produktion
Cologne
May 24, 25, 26, 27
x-fois gens chaise, Montréal © Julie Gauthierx-fois gens chaise, Bogota © Roland Kaiserx-fois gens chaise, Amsterdam © Roland Kaiserx-fois gens chaise, Barcelona © Roland Kaiserx-fois gens chaise, Bordeaux © Roland Kaiserx-fois gens chaise, Koeln © Roland Kaiserx-fois gens chaise, Londrina © Roland Kaiserx-fois gens chaise, Rio © Roland Kaiserx-fois gens chaise, Rio Preto © Roland Kaiserx-fois gens chaise, Salvador © Roland Kaiser
Performance + Installation
x-fois gens chaise

Twenty feet above the sidewalk, sitting on chairs affixed to the walls of downtown buildings, a dozen senior citizens appear to float above everyday concerns. Old age becomes urban poetry.

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x-fois gens chaise

Twenty feet above the sidewalk, white chairs are attached to the walls of buildings in the Latin Quarter, with ten senior citizens sitting on them. One is knitting, another folds laundry and a third is eating. All of them appear to be floating above everyday concerns, their strange position adding an enchanting note to the cityscape. Old age becomes urban poetry, insisting that we stop and take a look.

Affixed to the façades of buildings on St. Denis Street, they are an evocative display of passing time, blurring distinctions so that life becomes art. Some might walk by without noticing them, but others will raise their heads and stop to gaze at this surprising image of mature angels adding a touch of grace to the urban space.

An undisciplined and interdisciplinary German artist who specializes in site-specific interventions, Angie Hiesl concocted this “human exhibit” so that we might view elderly people as works of art. After winning over audiences in Europe and South America, her group will make its North American début with this beautifully disconcerting performance installation.

Tickets
May 24, 6:00 pm
May 25, 6:00 pm
May 26, 3:00 pm
May 27, 3:00 pm
Length : 1 h

Subject to cancellation in case of rain. Check our website one hour before scheduled performance.

Free

May 24, 25, 26, 27 / QUARTIER LATIN / Google Map
 
Artists
Angie Hiesl © Peter Böttcher
Angie Hiesl

Rearranging Reality
The director and choreographer Angie Hiesl is also known for her visual art work and performance installations, and has been a fixture on the German art scene since the 1980s. Her pieces have garnered several awards, including the Cologne Honorary Theatre Prize awarded by the SK Foundation for Culture in 2001, and the 1996 Förderpreis from the North Rhine Westphalia ministry of culture. She often presents her art in public spaces ranging from a bridge to former public baths, a train station and subway corridors, as she explores her interest in the notions of floating and suspension.

x-times people chair, initially created in her home town of Cologne, has since been presented in festivals all over Europe and also in South America. The show won awards at the Holzminden international street theatre festival, and at the Valladolid theatre festival in Spain.

Roland Kaiser

Angie Hiesl Produktion was founded by Angie Hiesl, who since 1997 has been collaborating with the choreographer, director and visual artist Roland Kaiser. Their works include a disturbing meditation on identical humans in TWINS — how do I know I am me… (2001), and a number of interdisciplinary projects influenced by urban spaces. Art is made accessible to everyone; it’s simply a matter of observation. She is keenly interested in the relation between the body and architecture, between humans and their environment. This project is an invitation to take a new look at reality.

Press Quote(s)

“ [Angie Hiesl] exposes what is often concealed and in doing so the personal can be seen to be political.[…] Together [Angie Hiesl and Roland Kaiser] are able to transform the quotidian into the extraordinary, open up public space to new possibilities and to really encourage an audience to connect with their surroundings and question what they see.”
        Rachel Rogers, Dance Theatre Journal, 2010


“As if turned inside out, the protective walls of a residential building are transmogrified into a stage, and the casual, unspectacular actions which we guess are going on in private behind the walls are presented as a play. At several sites in the city these tableaux mouvants confront beholders with the oft-suppressed fear of growing old and force them to reconsider the way they see the world and its daily rituals. […]For as in traditional theatre, which lives on the communication between actors and audience, these action installations put the limelight on the viewers, too: for a brief space of time they turn into performers in the interplay of seeing and being seen. In a provocatively graphic manner, Hiesl lays bare for both sides ways in which art and everyday life are “staged”.”
        Andrea Lesjak, Goethe-Institut, November 2003


«  [Angie Hiesl] traite ainsi l’espace comme s’il s’agissait s’un matériau, un « objet trouvé », qu’elle juxtapose à sa dramaturgie. […] Le montage comme principe «formel permet d’installer l’atmosphère surréaliste d’un rêve. […] Le cops humain devient le matériau de l’installation, mais devient également sujet lors de la performance, chaque individu étant libre de s’exprimer comme il l’entend. […] Ce qui est normalement caché devient public. On touche presque à une forme de stratégie propagandiste, c’est sans doute ce qui crée une telle tension au sein de l’œuvre. »
        Enno Stahl, Esse arts + opinions, automne 2002


“While Christo, the Bulgarian pop artist, wraps buildings in white, Hiesl, from Cologne, aims to intrigue onlookers by displaying people in pursuit of “ordinary life in an extraordinary way””
        Hugh Davies, The Daily Telegraph, 3d August, 2002


« Apparitions saisissantes qui mettent des sourires sur les visages des passants. »
        Florence Michel, La Liberté, 12 Juillet  2001

Credits

Credits

PRODUCED BY Angie Hiesl Produktion
DIRECTED BY Angie Hiesl
ARTISTIC ASSISTANT Roland Kaiser
WITH Ariane Jovy + Wim de Lang + Peter Lehmann + Gisela Oehlschläger + Agnes Wintersberger + local performers
TECHNICAL DIRECTOR Michael Blattmann

CO-PRESENTED BY Quartier des spectacles
WITH THE SUPPORT OF Goethe-Institute + Ministère des Affaires étrangères de l’Allemagne
The presentation of x-fois gens chaise is part of the activities marking the 50th anniversary of the Goethe-Institute of Montréal.

WRITTEN BY Diane Jean
TRANSLATED BY Neil Kroetsch

Premiered in Cologne, November 1995

INFO-FESTIVAL
514 844 3822
1 866 984 3822
FTA.QC.CA

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